VIDEO EDITOR · PRODUCER · VISUAL STORYTELLER
Long-form and short-form editing across technology, AI, economics, history, and documentary, grounded in U.S. Navy visual communication and professional production since 2004.
LONG-FORM CASE STUDY
A technology feature connecting SpaceXAI, launch systems, communications, finance, and large-scale infrastructure.
Role: Senior editing, visual research, AI-assisted visual development, motion graphics, pacing, and final delivery.
CURRENT ROLE · NOV. 2023–PRESENT
For Kyle Chassé’s two YouTube channels
Editing long-form videos and Shorts from footage intake and visual research through packaging, publishing, and final release.
Verified channel scale: 1,118 releases · 22M+ views during the reporting period.
SELECTED TECHNICAL WORK
Focused examples of compositing, finishing, motion design, color work, and image manipulation.
CURRENT FINISHING WORK
A live-action shot rebuilt through environmental and subject-level adjustments while preserving a natural final image.
Visible progression: Selective recolor → sky/environment replacement → subject isolation → kinetic typography → unified final grade
Consistent lighting, contrast, edge treatment, and color response help the replacement elements belong in the original scene.
CURRENT PRODUCTION WORK
A live-action source developed into a finished visual system spanning compositing, image treatment, and motion-based presentation assets.
Visible progression: Green-screen source → keyed composite → expression and lighting refinement → thumbnail system → animated presentation assets
Clean edges, believable scale, consistent lighting, and continuity carry the green-screen source into the finished visual system.
CURRENT SHORT-FORM WORK
Reshaped from the full interview into a self-contained Short, using reactions, supporting visuals, and tighter pacing to create a complete vertical arc while directing viewers back to the full conversation.
PREVIOUS ROLE · MAY 2022–OCT. 2023
Long-form editorial work built around interviews, research, archival material, current events, and complex political stories.
I edited research-heavy long-form reporting and educational Shorts using archival material, maps, graphics, interviews, news footage, and fast factual pacing.
Audience context: 2.7M+ combined audience across four major platforms during the role.
SELECTED ARCHIVE
Earlier projects selected for their writing, directing, production, research, motion design, and editorial scope.
Commercial Editor · Licensed-Footage Adaptation
Licensed Ford footage recut for local branding, pacing, and commercial delivery.
Green-Screen Compositing · Rotoscoping · Keyframed Masking
A simulated vehicle impact built with green-screen compositing, frame-by-frame rotoscoping, handheld alignment, motion blur, and timing refinement.
Writer · Director · Producer · Cinematographer · Editor
Full-scale writing, directing, production, cinematography, design, and editorial scope.
EXPERIENCE
A career spanning current digital media, international news, documentary field production, independent filmmaking, education, business, and U.S. Navy visual communication.
ABOUT
Editing, production, military communication, documentary work, business, and emerging technology shaped one approach: understand the objective, choose the clearest visual path, and make decisive edits.
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